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Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.,

“It’s time Billy was at home,” he heard his mother say as he opened her room door; and he stumbled on more hurriedly, across the bridge—at last, the Fo’castle!,

Her questions brought long and wonderful tales of Billy’s younger life; of Edith when she, too, was a little girl. The child helped to set the table, carried in bread, salad plates, and jelly. “It shakes like the fat woman at the circus when she laughed. How do you make jelly?”,

A haughty toss of the head was all the reply vouchsafed to this brotherly jibe.

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When the two arrived, Nell Gordon was sitting with the sick child and crooning softly to her. Howard Eliot drew near, accidentally touching the firm round arm of Nell as he did so.,

They were at the dripping roadside tank and back in a trice. Gently where a moment before he had been ferocious with anger, Billy wiped his play-mate’s face, or rather, changed the mud from one spot to another, got him to his feet again, and finally into the buggy with the little girls by his side.,

A scream from “the shack” stopped further quotations. Billy ran up the hill to learn the trouble. Only Evelyn was there in the little house built, half of boards, half of willow twigs woven lattice-wise, against a huge smooth rock. Beside this rock also ascended a cobble chimney; and the fireplace, roughly plastered, served its purpose well. Billy had made it all, and Edith wished the house fireplace would draw as well.,

“I am not going to let you see any more compositions,” exclaimed Nell, “You are just making fun of my poor children.”